18.8.10

DC75: Daddy Is Dead, Child (Justice League America #38, 1990)



While everyone else was busy scowling and dredging up traumatic childhood memories, the Justice League International franchise was laughing all the way to the bank. Denied proven commercial heroes due to iconic revamps and the distaste of overly series fellow creators, Keith Giffen and J.M. DeMatteis instead sold the idea of heroes paling around like real people to a buying public starved for something different. Utilizing the gift for facial expression of artist Kevin Maguire, Giffen & DeMatteis cast lesser-knowns in the first successful comic book super-hero situational comedy. The formula hit a speed bump two years in with the departure of Maguire, but a reasonable enough facsimile was found a few months later in the young Adam Hughes.

While the JLI often touched on darker themes, the nature of the characters and the book itself never allowed the proceedings to become especially grim. While this kept the tone light, it also meant attempts at deeper character work were brushed off as set-ups for a gag, limiting the book's story potential. Perhaps sensing a leash forming, Giffen and DeMatteis began stealthily asserting their right to go dark.

In an issue which had begun with five page Spy magazine parody, a savage beast was introduced. This was the hulking Despero with a fin-mohawk, revitalized in the waning days of the previous Justice League of America as a force to be reckoned with, but little exposed to date. Readers presumably took one look at a nude pink alien roaming around, and waited for the jokes to start.

It would be a long wait. Despero found one member of the old League in a vegetative state, and ended his sad existence. Bodies were strewn about, one victim had a slightly goofy look of surprise, but there was nothing funny about this. Despero located the home of another former Leaguer, murdered her family, then arranged the bodies in natural looking positions. The retired heroine Gypsy came home with schoolbooks in hand, distracted by her daily business, until being greeted by the dawning realization that her entire family was dead.

Adam Hughes had a gift for mood Kevin Maguire had lacked, which was exploited to the fullest extent by this script-flipping move by Giffen & DeMatteis. Suddenly, after three years of readers taking for granted that everything in a JLI adventure would turn out alright, they were confronted with real stakes and deadly consequences. The actual body count turned out to be fairly low, with no other recognized characters perishing, but the threat left an impression on readers from then on. The story elevated the book from good fun to monumental, established Despero as one of the premier DC villains, and elevated the Martian Manhunter's viability as a commercial character. As an unfortunate side effect, Giffen & DeMatteis then struggled to restore the humor of the series, going too broad, and soon hobbled when no suitable replace could be found once Hughes moved on. A creative high point for the team also proved something of a terminal prognosis, leading to the end of their era.

Check out more highlights from the past 75 years of DC Comics at The Truly Most Memorable Moments of the DC Dodranscentennial

5.8.10

DC75: Despero Enjoys Chess (Justice League of America #1,1960)



God may not play dice with the universe, but the despotic alien Despero sure got a kick out of chancing the lives of the Justice League on a board game. The image of a blank-eyed League seated at a table presided over by the evil mutant is creepy, and watching teammates perish as a hero struggles through a deadly game of chance has become downright routine in its constant homage.



For the full story, read Justice League of America #1 (10-11/1960), or check out more highlights from the past 75 years of DC Comics at The Truly Most Memorable Moments of the DC Dodranscentennial

7.6.10

IGN's Top 7 Martian Manhunter Villains of All Time

Last year, the comics department of IGN.com put together a list of their Top 100 Comic Book Villains of All Time. A number of J'Onn J'Onzz adversaries showed up, so I thought some direct links might be in order, as well as their individual rankings. I agree with IGN's rational for the post part, at least as it applies to where these here folk fall. Prometheus making it out of the bottom rungs is one of a number of unforgivable black eyes against the list as a whole...

96. Despero


84. Doctor Light


46. Doomsday


41. Mongul


36. Vandal Savage


35. Gorilla Grodd


6. Darkseid

25.5.10

The Top 10 Despero Covers

Today, we'll be looking at the nemesis of the Manhunter from Mars. There is no shortage of impressive images of Despero the Destroyer. However, because he's often the big bad in a big reveal during a story, the covers often do not reflect the magnitude of his presence. In fact, I'll cop to the latter five as being almost completely arbitrary choices, because I'd say only the top five are truly great representations of this menace.

10) Supergirl #17 (January, 1998)

The Destroyer drawn by Gary Frank. It's just so pretty.

9) Superman/Batman #33 (March, 2007)

Literally chewing up a host of alien heroes in his jagged maw

8) Justice League Task Force #31 (January, 1996)

Just a striking image of Despero in bondage-- no small accomplishment.

7) Justice League Task Force #27 (September, 1995)

The finest cover example of Despero's gun-toting, anti-heroic, "the Savage Dragon stole my bit" period.

6) Justice League of America #133 (August, 1976)

Flanked by the world's greatest heroes, Despero kills Superman and ask who wants next.

5) Justice League of America #251 (June, 1986)

The first clear cover image of Despero reborn as a finhawked badass of massive scale.

4) Justice League of America #178 (May, 1980)

A great riff on Despero's debut, beautifully rendered by Jim Starlin, and the first indication of personal animosity toward the Martian Manhunter.

3) R.E.B.E.L.S. #12 (March, 2010)

Nothing says "we're in trouble" like someone holding Despero's severed head, while nothing quite says "our way out is almost as frightening as how deep we're in" like Vril Dox grinning.

2) Justice League America #39 (June, 1990)

I almost threw in the issue where Despero crash lands in the JLI's midst, but he's just a funky colored blob in an intentionally obscured image. Here, you can clearly see the result of his onslaught, and the beginning of his fan favorite villain status.

1) Justice League of America #1 (November, 1960)


The original. The classic. One of the most inspirational and imitated covers of all time.

Check out more spotlight countdowns of great art from the past 75 years of DC Comics Covers at DC75: Top Character Covers of the Dodranscentennial

6.1.10

Justice League of America #177 (April, 1980)



Aquaman: Took on a Russian trawler in the Mid-Atlantic Ocean illegally harvesting dolphins. "You people never learn, do you? You think you can rape the sea, the way you've raped the land! Isn't it enough you spill your wastes in our waters? Isn't it enough you sink oil tankers in breeding grounds? In Neptune's name, you may not have had enough-- but I have!" The Sea King took a few lumps, but called on a whale to bat the sailors off their ship. Strangely, they then transformed into large, bobbing, featureless and angular statues.

The Atom: Helped a pal foil kidnappers in Ivy Town by riding along in the payoff briefcase. Was shocked when the creeps turned into two statues like Aquaman's with a third appearing with religious iconography.

Green Arrow and Black Canary: Dressed as bikers in Star City, the pair karate chopped their way into a white trash/supremacist rally. They were then attacked by an animated statue of a knight riding a horse's head, a chess piece brought to dangerous life. A Canary Cry shattered it.

Batman and Superman: Having foiled hijackers at Gotham Airport, the World's Finest were assailed by fiery cannonballs from mobile castles/rooks. Switching to kryptonite projectiles, the Man of Steel was bowled over, leaving the Dark Knight to detonate explosives in yet another chess piece.

Zatanna: On the JLA Satellite in orbit 22,300 miles above Earth, Zee compared the reported assaults while on monitor duty. "You're the detective, Batman. I'm 'just' a sorceress. But from where I sit, it looks like you've all been involved in the opening gambits of some cosmic chess game, with deadly pieces... I think we'd better call an emergency meeting!"

Elsewhere in the cosmos, a purple flying saucer rested in outer space. Within sat a chess board, half filled with pieces representing the full JLofA membership, including Elongated Man, Hawkman and Hawkgirl, Green Lantern Hal Jordan, the Flash, Red Tornado, Wonder Woman, and the rest. Not among them was a long absent former member, the Manhunter from Mars, who was instead bound in the opposite chair. Manhunter's chess pieces having largely fallen, his opponent cackled.

"HAHAHAHAHA! It seems the opening moves have all ended in my favor! How ironic that I should be pleased by the victories of the Justice League... I, Despero, who despise them more than I despise any other group of beings in the universe! But you see, that's why I've chosen them as my champions, J'onn J'onzz... for the irony! In this game I have forced you to play, you must defeat and kill your friends in the Justice League, using those pieces I created for you... for if you fail, and lose the game... then your fellow Martian exiles will die, and you will be to blame! YOUR MOVE, MARTIAN MANHUNTER!"

"The Graveyard Gambit" was by Gerry Conway, Dick Dillin & Frank McLaughlin.

31.12.09

2009 Michael Netzer "December of Despero" Pin-Up

Click To Enlarge


I must confess my disappointment in "December of Despero." After years of too little attention being paid to one of the few truly great and broadly recognized Martian Manhunter villains, the plan was to have his every appearance through 1990 written up for this blog. He was going to finally get his Vile Menagerie listing, an index of his own, and more. Instead, the holiday crunch, side projects, and my own inertia led to a spate of pin-ups, custom toys, and outright filler. As I've said before, this is hardly the last December Despero will claim as his own, and he'll be making waves well before then. Still, I wanted his first to be something special.

Thankfully, this final week has given the month some validation. Although I never get much in the way of comments for them, I'm happy to have gotten around to more fake Manhunter from Mars comic synopses, all offering stories from a parallel universe pitting our hero against the three-eyed despot. I've never featured so many in such a short span, as Manhunter from Mars Annual #2 will close out our week. It was planned for tonight, but a last minute submission I feel really puts the first "December of Despero" over the wall of winners had to take precedence.

Mike Nasser is probably the second most important artist to draw J'onn J'onzz after his co-creator, Joe Certa. It was Nasser who restored the beetle-brow from the character's earliest appearances, revived his belt symbol,  designed his 1970s logo and offered a dynamic new art style that exposed the character's potential for greatness to then-modern readers. Sadly, Nasser's run was much too brief, and saw him illustrate only a couple of new villains, N'or Cott and R’es Eda. In recent years though Nasser, now known as Michael Netzer, has done real solid by Martian Manhunter fandom. He drew the beloved Idol-Head of Diabolu banner in 2007, then followed that up with a campaign to save Martian Manhunter from Final Crisis with his Take Me... but don't kill J'Onn campaign in 2008. This was supported by pin-ups pairing Manhunter with the Atom (Ryan Choi), Aquaman and the Atom (Ray Palmer).

Netzer's kept a lower profile in 2009, presumably to afford him the opportunity to work on his upcoming 150 page original graphic novel, Wave. Still, he found time to contribute the above pin-up of Despero, which I hope you enjoy as much as I do. A Happy New Year's Eve to all you Idol-Heads out there, and especially to Mr. Netzer, whose New Online Portal demands your attention.

30.12.09

Manhunter from Mars #175 (February, 1979)



On Mars II, J'onn J'onzz was visited by a clearly distressed Saranna. She had lost contact with her father Jasonar, who had left her on Kalanor to take on Despero as his full responsibility and laboratory assistant. The pair had been working together in isolation on a distant satellite, though Saranna and Manhunter could reach it through her dimensional traveler. Since Kalanorian authorities had long since washed their hands of Despero and his benefactor, J'onn J'onzz was Saranna's best hope for protection and investigative aid. The Manhunter from Mars agreed, and the pair were off.

Aboard the satellite, they found Jasonar's body lying on an interior floor. He had been battered, but his exact cause of death wasn't readily apparent. Saranna cursed the mutant freak who had committed this heinous act. J'onzz began to check the satellite's logs, and discovered Despero had fled the scene in a spaceship altered by Jasonar and J'onzz to include Martian technology. The Manhunter could follow Despero's trail of ionized anti-matter, his ship's fuel source. J'onzz also loaded Jasonar's body and personal log into the dimensional traveler, for study on the way to Despero's present location, the nearby planet Sirkus.

From the logs, J'onzz learned that Despero had actually blossomed as Jasonar's sole associate in his studies. Much of the former despot's aggressive tendencies had subsided, and he showed a seemingly genuine appreciation for their work. Still, Jasonar wouldn't dare risk Saranna's life in Despero's presence again, and regularly subjected himself to a recreation of the radiation from the dimensional traveler that immunized a person against Despero's mental powers. Saranna shook her head in disgust at Despero's taking advantage of Jasonar's altruistic gullibility, knowing full well the monster had been plotting her father's demise the whole time.

On Sirkus, the Manhunter was pleased to find he had super powers near those he enjoyed on Earth, and that the Sirkian Governor Kwim was perfectly willing to offer any aid in tracking down the bandit gone to ground on her world. It wasn't long before Despero was found, although Saranna was shocked to discover his powerful third eye, the presumed murder weapon, was still rendered inactive. In fact, Despero was only lightly armed, and the Alien Atlas made short work of his offensive.

Saranna cursed at the hideous Despero for his lethal duplicity, to which Despero hurtfully protested that it was in fact Jasonar who had tried to kill him! Despero had only defended himself, and knocked Jasonar unconscious. Panicked, Despero took the rifle Jasonar had attempted to slay him with, and fled to the nearest inhabited world. Saranna slapped Despero, and demanded he stop lying.

The Sleuth from Outer Space took Saranna by the wrist, and mournfully explained Despero likely spoke the truth. J'onzz's inspection of Jasonar's body had uncovered cancerous growths throughout, most probably caused by his constant exposure to radiation. A further review of Jasonar's logs revealed that he knew he was terminally ill, with at best days to live. Although he felt Despero was sincerely improving as a sympathetic being, after being fooled so often before, he felt he couldn't risk allowing Despero to live on without his guidance.

Unbowed, Saranna continued to curse Despero for robbing her of time she should have spent with her father in his final years. Again, J'onzz interjected. Although it's true Jasonar felt safer with Saranna far from harm's way, the Manhunter had observed her consistent pattern of suspicious, judgmental and generally prejudiced attitude toward Despero. While her bias was understandable, Jasonar surely recognized there was no hope of redeeming Despero so long as Saranna was present to reenforce Despero's toxic self image. Fully breaking down at this observation, Saranna damned Manhunter and his cruel Martian logic.

The Manhunter extended his hand to Despero, in hopes the former tyrant would be willing to continue ascending the path of righteousness. Despero swatted it away, spitting out his assertion that any hope the universe had of quelling his burning hatred had been left to die on that satellite lab. However, the Sirkians were touched by all this, and insisted Despero be left in their hands for further rehabilitation.

The Manhunter agreed, with apprehension, and left the world with Saranna in the dimensional traveler. The Sirkians began discussing a course of treatment for Despero, and dismissed the barbaric practice of surgically disabling his third eye. His back to his would-be saviors, Despero allowed himself a small, nefarious grin...

Tony Isabella left the DC editorial staff midway through 1977, though stories he edited saw print throughout the year. Jack Harris took over all of Isabella's duties, and also edited his freelance writing on Black Lightning. After that title's last issue saw print late in '78, Harris moved its stunning artist, Trevor Von Eeden, to Manhunter from Mars. Although Harris had used a few Isabella scripts on the title in the past, the writer had left DC Comics some months prior, and the book struggled to find anything resembling a permanent creative team. Worse, just as Von Eeden was preparing for the assignment, the book shifted editorship to Ross Andru. Barely staving off cancellation during the infamous "DC Implosion," Andru had marching orders to burn off some inventory material as a cost-cutting measure before commissioning any new material. Von Eeden was left looking for fill-in work until his first issues shipped in the spring of '79.

In the meantime, this Martin "Marty" Pasko and Dick Dillin tale from the file drawer was extremely well received by readers, becoming an instant classic. It was made additionally poignant when Dillin himself passed on a year later. It was Dillin, after all, who drew many of the Martian Manhunter's guest appearances in the 60s and 70s that helped keep the character and his somewhat isolated solo series in the public consciousness. Dillin was also only the second artist to draw Despero, Jasonar, and Saranna (preceded of course by Mike Sekowsky.) While Dillin never again returned to the title, popular demand brought Pasko back for a number of stories. By the time Dan Mishkin and Gary Cohn finally became the "regular" writing team in their first ongoing assignment, Len Wein had been handed the editorial reins, and would shuffle them off in less than a year. At least Von Eeden stuck around through #200...